Thursday, May 30, 2013

The Handshake

A good college will teach you how to shake hands. This may sound totally stupid, but it's true. The basic extend hand, grasp other hand, let go of said other hand, social exchange does have to be taught. Moreover, it should  be taught.

In American culture, the handshake is a huuuuuuuge  part of meeting people and establishing the basis of your future relationship. Personally, I have a tendency to wait to see if someone's going to offer me their hand before sticking out mine when we're in a social gray area, particularly if the other person has more power in the situation / we're on their home turf -- and I'm always a bit disappointed in those who don't go right for the shake. Always.

In those shake-less situations, I'm left wondering -- in an academic capacity, mind you -- if the lack of offer was because I'm a chick and "women don't shake hands like men" and therefore there's a weird sort of sexual inequality going on in this person's lizard brain, or if the lack of offer was because the other person is a socially inept flake. Neither is a good impression.

I'm always ready to shake hands, and always sad when I don't get the offer.

There are two places where I can rely on to get the offer: job interviews and sorority rush. And here is where the whole college should teach you to shake hands thing comes into play:

Shaking hands is important. It's a physical demonstration of your personality, it's also a respectful means of broaching your personal bubble and establishing personal and communal space. I'm sure ethnographers would suggest it's a means of bringing respected individuals into a physical space of social acceptance while keeping unacceptable members of society outside of the group space.

Ethnographers aside, most people think it demonstrates personality: assertive types verses wimpy types. We've all heard of the clammy, dead fish handshake of doom. While near impossible to control how much you sweat without chemical interference, it is however, very easy to control how much pressure you do or don't apply to the other party's hand. I'm rarely more amused than I am by women who give the handshake equivalent of the golf clap: they sort of gingerly clasp your hand the way they would a raw egg using only first two fingers and thumb, then quickly let go, leaving the metaphorical eggshell still in tact. It's all very HRH. Worse is when you offer the whole palm and finger array and leave it there all limp. Fishy. Blah.

We practiced this in the sorority. Women were coming to our door to rush. Maybe not rush our house, maybe they'd never had contact with a single one of us, maybe they'd make friends and decide to join -- whatever the situation, the at-the-door greeting was the first official moment of contact. In so many ways, my experience of Greek life was absolutely nothing like the movies. What I can tell you about rush is that it was not a snippy, catty series of par-tays; it was instead an alcohol-free, highly choreographed, likely inefficient, social dance that the rushee was never supposed to catch on to. And we practiced all of it. From the handshake, to where we sat the girl, to the conversations we'd have, to how we'd offer her food, to the way we'd walk her out the door and what we said as she left. It took us months to prepare. Not to mention learning all the accompanying songs and chants -- don't ask. Among the prep work: we one by one walked up to a near-stranger adult rush adviser, grabbed her limp hand, shook it, and welcomed her. And if we didn't pass, we did it again.

I think we could all do with more handshakes and more handshake practice in our lives. No matter how silly you feel. Come on. Unless you're one of those types who wrap everyone up in a bear hug, shake my hand and do it like you mean it.

Monday, May 27, 2013

Ad of the Week

This may be the best campaign I've seen all year: GE's "Agent of Good."

Thursday, May 23, 2013

Type in All Cats

It's bad form to type in all caps on the internet, a mode of communication generally perceived as "yelling." But what if, instead of caps, you could type in all cats?
Just when you thought the internet's obsession with cats could come no closer to all-consuming Ancient Egypt style worship, there arrives Neko Font, maker of the cat font.

Sunday, May 19, 2013

Dear Impossible Girl,

We've solved your existence. More or less. Now I'm half-certain that I must go and rewatch the past half-season. How am I supposed to divine the emotional thread of these things if I don't line them up end to end to analyze? This whole one-every-week thing is a nice way to watch TV, but nice apparently doesn't do it for me. I must be immersed.

And yes, I'm also the kind of person who, when I get a good novel,  will stay up all night to finish it.

My thoughts on season seven part two (without divulging spoilers):

We had an over arching question -- how is the Impossible Girl possible? -- which we answered in the final episode of the season. Not to say that there aren't going to be more impossible attributes to her existence, but we did learn her origin. But we really didn't chip away at that question except in the very final episode. Personally, I was hoping for more hints, I was hoping to chip away the way we did when we got to see Rose Tyler calling out to the Doctor in her failed attempts to punch through dimensions, then her discussion with Donna, eventually heralding her actually punching through dimensions.

The end of season seven poses loads of new questions, all of which make me very excited for season eight. Of course the existence of Clara as posed by the season seven Christmas special made me very excited and well ... it sort of panned out. The final two episodes were great. The stuff in the middle of the season? ... I guess every season needs filler. Like that episode with Rose and the 10th Doctor about the support group that got assimilated into the alien's body fat. Yeah, could have done without that one too.

When people raved about Neil Gaiman's "The Doctor's Wife" a few seasons ago I raised an eyebrow -- but Mr. Gaiman has redeemed and outdone himself with "Nightmare in Silver." Not only has he upgraded Cybermen back into the realm of scary but he gives as a brilliant statement from the Cyber Planner: (to paraphrase) you may have erased yourself from history, Doctor, but there's much to be learned from the shape of the hole you've made. 

Now that's cool.

We finally get sense made of the stupid leaf. The leaf was cool when it was in her book. It was stupid when it was fed to a giant planet-ish vampire. Now, come the end of the season, we understand the leaf's importance ... but it was still stupid in episode two. A bit like Rose Tyler using Bad Wolf to keep herself from burning up in the second episode then sitting on it until the finale when she realizes what it means. Although in this case I guess she was always supposed to have known what it meant, we just weren't really privy to an understanding of that information? Maybe? I feel like I'm reaching here.

Two other interesting revelations which I'm still teasing out -- and since these do have spoilers, I'm putting a cut, which you'll have to click on to read more ... unless you came to this page via direct link, in which case: ahoy! spoilers ahead!

Thursday, May 09, 2013

Battling the Blank Page

A blank page is daunting. It's a fact. It's a totally illogical fact, but it's a fact.

Sometimes the vast possibilities presented by that which is unwritten can stymie a writer. Sometimes the idea of modifying a pristine white field (whether paper or word processor) with your inadequate first draft is demoralizing. Yet it's completely illogical: possibilities thwarted by the presence of possibilities? An empty sheet of wood pulp seeming more worthy than words representing your unbridled imagination? It's totally illogical -- and yet totally true.

So true, in fact, that I've been given advice my entire life of how to combat it:

In undergrad my creative writing adviser suggested we all draft in pencil because it would feel less permanent than pen therefore allowing us the ability to put mistakes on the page without fear of ruination.

A middle school English teacher forbade our class from writing in pencil because we were too tempted to erase our good ideas along with our bad -- pen only! Mistakes were to be crossed out, but kept. And when we got our writing back from her we saw why: she nurtured all those aborted thoughts of ours and helped us see that we could stretch beyond the safe answers we thought where the "right" answers.

I've known people who type only with their eyes closed. Or who write at night, turn off their desk lamp and pitch the background color of their word processor black so that they can lose awareness of the screen's harsh, mechanical glare. (This does provide sort of an ethereal state, especially if you alter the text color to something whimsical.)

For as many people who swear by ornate "writer helping" software like scrivner, I've heard from just as many who just want a basic word processor -- cut, paste, spellcheck -- because the additional bells and whistles of "writing helping" software can provide as much distraction as assistance.

Lately, even the word processor has become too fancy for me.

Tuesday, May 07, 2013

Getting the Ghost

I'm editing a second Specter Spectacular anthology for World Weaver Press. Submissions are open now through June 15, 2013 (details). The first anthology was subtitled 13 Ghostly Tales and this time it's 13 Deathly Tales, allowing us to still include some awesome ghost stories but also expand beyond the spirit trope.

The inbox is seeing a lot of moment-of-death stories, and I encourage writers to look beyond that to the ... beyond. I've been pretty vocal about looking for some great stories of psychopomps (literally meaning "guide of the souls" but I also love the "death midwife" description), and I still want to see more such submissions. I'm also encouraging relevant connections to current society whether that's funny grim reapers glued to their cell phones, displaced Valkyries, parallels between a callus Charon ferrying souls across the river Styx with unscrupulous coyotes shepherding people across the border, or modern folklore retwistings.

Saturday, May 04, 2013

Ad of the Week

I fell in love with this narrative. It flew by me on TV, and I've had great fun pausing and playing it back to capture the nuances that are all there. So much more than a minute's narrative tucked into the details.

Thursday, May 02, 2013

The Artistic Line Between 'Vulnerable' and 'Self-Destructive'

I've been watching The Voice this season. I tweet my live reactions @EileenWiedbrauk BTW, if you're interested in following those joys, disappointments, and uneducated immediate reactions as I have zero knowledge of the music business beyond that of avid radio station listener.

Here's the big question I've recently been pondering: why was Amy Winehouse such a huge success in such a short life? She had a fascinating voice and a hot body, yes. But so do so many of the young people who try to make it in the music business each year. So do so many of those who make it as contestants but don't win national shows such as The Voice.

Now I admittedly don't know much about the music business. But if I'm to believe what all of The Voice coaches repeatedly say, it's all about finding an emotional connection to the lyrics/song, and finding a way to connect that emotion to the audience that isn't show-tune-emoting. As the coaches say, it's about being vulnerable.

Highly Recommended