Thursday, April 30, 2015

A Love Letter to Sci-Fi & Paranormal Romance

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[Originally posted at redmoonromance.com]

I love speculative romance. Loving something is always personal, so I suspect the reasons you love it may be different than my own. And I want to hear those reasons in the comments! Until then, here's my love letter to the sub-genre:

Speculative fiction, whether sci-fi or fantasy or paranormal, is all about the what if? questions. Those wonder and awe inducing daydreams that have been a part of the stories we've heard and read since we were kids. What if we could fly? What if there are unicorns in another realm? What if there's a big red dog that wants to be my friend? What if there's something hiding in my closet, and does it want to eat me or play with me? What if I could command magic? What if aliens landed on Earth . . . and they looked like smoking hot men?

Read the rest of my love letter to speculative romance at RedMoonRomance.com . . .

Thursday, March 05, 2015

Where Fairy Tales Come From

First off, I have done A Thing: my short story "Candy, Shoe, and Skull; Sallow Flowers Plucked Like Chains" appears in this month's issue of Niteblade Fantasy and Horror Magazine.

And yes, it's the dark fairy tale issue.

If you know me, you understand why that is perfect.

I've read the magazine and there are some delightfully wondrous and oh-so-dark retwistings of fairy tale in these digital pages. So far my favorites, other than my own story (because: of course), are Eric J. Guignard's "A Kiss and a Curse," a Beauty and the Beast retelling of dire consequence, the narrative poem "Et je ne pleurais jamais les larmes cicatrisantes magiques; c’est seulement un mensonge joli: Arne-Thompson Index No. 310" by Elizabeth McClellan featuring a Rapunzel with agency and engineering on her side, and Rhonda Eikamp's "The Men in the Walls," which is also very, very dark. Well, they're all dark. This is, after all, the dark fairy tale issue. But there's a delight in these dark stories that my brain keeps turning over and over. I love the twists and shapes of these tales.

My piece, "Candy, Shoe, and Skull; Sallow Flowers Plucked Like Chains,"really came about because I kept picking at the notion of where fairy tales come from, then applied that to the modern world.

We're all just dark and twisty beings who don't understand what's going on.


There are two main theories in folklore studies about the origins of these stories of the people and the fact that so many cultures developed the same basic tales seemingly independent of one another. One notion is that these tales arise from the collective subconscious.

Read the rest of this post . . .

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